What's Your Story?

Yesterday was one of those magical life moments. I celebrated my 20th anniversary with my husband.

We met in college, in our junior year. He was sitting in front of me in a class and I thought he was cute so I passed him a note. We ended up passing notes back and forth for three days without ever actually speaking a single word to each other. On the fourth day, it was a freezing, stormy Boston day, and I asked him if he'd like to come over and have some hot chocolate and a real conversation. He did, and drank the whole mug, left to go to his 6 p.m. class, came back at 9, and basically never left. Now that I've been married to him for 20 years, I know that he absolutely hates hot chocolate.

Why am I sharing this with you? Because everyone has a story. The story of their relationships, the story of their friendships, the story of their career, the story of the moment of greatest joy or deepest grief, the story of the roads taken and not taken. These stories are the real fabric of life, the universal truths that we can write about that readers can dive in and relate to that make our stories more personal and believable.

If you're stuck in your writing, or you want to flesh out a relationship between your characters more fully, take a few minutes and pick a story or two from your own life and write about it in detail as if it were happening to the characters in your story. Chances are, when writing from your own personal treasure trove of memories, you will tend to remember little details that set the mood and propel the story. Things like: a song that was playing, if it was the most beautiful day ever or driving rain, the look on someone's face, how you felt inside, etc. Though you may never actually incorporate this story into your own, it will help you reach in and find the honesty in the piece you want to work on.

What's Original Anymore?

One of the biggest challenges in creating a new work is making it original. There will always be a market for romances, thrillers, a good cozy mystery, and a road trip novel, but what makes yours stand out? Agents and publishers want to see that spark of something they haven't seen before, so how do you catch their eye when everything has been done before? Living proof of that is the plethora of novels out there right now on zombies, vampires, angels and mermaids. Not to say they aren't good - many of them absolutely are - but isn't one zombie or vampire the same as the next? It absolutely can be, and can ensure your book stays in the proverbial drawer, unless you do the work to make sure it has that extra somethin' somethin'.

When I am writing something new, i.e. a road trip novel, for example, the first thing I do is try and read every novel I can get my hands on that falls in that vein. I also watch any movie I can that fits that subject too. I do this first for inspiration, that it may spark some ideas of my own. I do it second because I want to make sure I don't duplicate what someone else has already successfully done. However, here's the reality: We know in every good road trip novel, there are a series of mishaps that keep the pacing going and keep the reader turning the page. Will our MC get from point A to point B? What obstacles will she encounter along the way that keep him/her from getting there? Will he/she find romance along the way? The answer is: Most likely, yes. This is what is known as a formulaic plot. (Think of the movie "The Sure Thing" with John Cusack). However, let's give that a spike. Yes, it's a road trip of sorts, but so much more: Think "Thelma and Louise" with Susan Sarandon and Geena Davis and a young, shirtless Brad Pitt. They face a lot of choices that determine what happens next and an unexpected twist at the end. THAT'S what you want to aim for. Another great example is the recent YA novel "Au Revoir Crazy European Chick" by Jon Schreiber, which is best described as Ferris Bueller meets La Femme Nikita. Perry, the main character, is forced to take his European exchange student to the prom, which ends up to be a night on the run through the underbelly of New York City when she actually turns out to be an assassin. The twists are surprising, and the author successfully manages to have the reader suspend their disbelief and take the wild ride along with the MC. Just driving from point A to point B, running out of gas and falling in love is not enough to engage the sophisticated teen literary tastes of today. Think out of the box.

Here's an exercise to make yourself feel better when you feel like your writing feels "un-sparkly": Pull out 20 of your favorite books and see if you can break them down into a simple formula. You can bet each one has one. Then try and discover what gives each one their "spark." If you need a little extra help in coming up with some great plot ideas, check out Martha Alderson's new book "The Plot Whisperer" and watch her video series on Yahoo.

Most of all, if it doesn't come to you all initially, don't despair. That's what revisions are for. Additionally, sometimes real life will surprise you and throw an idea in your path. For example, just the other night I went to a writing workshop and found myself lost in downtown Los Angeles at 11 p.m. with some pretty interesting peple on every corner. Though I was not quite so into it at the time, that's the kind of stuff you want to save up and channel for later, and you can write it honestly because you've experienced it. You know what it felt like to have that adrenaline pumping through your body, the panic setting in as eyes are on you alone at a stop light, praying for it to change so you can peel out of there and find that freeway on-ramp. Don't worry about getting it all in in that first draft. Think sparkly!

Immerse Your Senses and Jump Start Your Writing

I tend to be a very visual person. Perhaps it's from my film background, but I have to envision the whole picture when I write. In a film, one of the biggest contributors to mood setting is music. Can you hear "If You Were Here" by the Thompson Twins and not think of Molly Ringwald sitting on the dining room table with Jake Ryan and a birthday cake? Or "Don't You Forget About Me" by Simple Minds and not think of all things "Breakfast Club"?

I cannot suggest enough that when you write, you create a playlist that echoes the different scenes and voices in your story. For example, when I wrote my novel BAND GEEK, I listened to "I've Got A Feelin'" by the Black Eyed Peas the entire time I wrote the Homecoming scene. It was perfect. It was loud and fun and noisy and made me picture a dark gymnasium awash with crepe paper and overly-hormonal teens dancing. It set the mood. And because I tend to write visually, the scene played out in my head much like a movie. The music alone can inspire images and ideas to spring forth. Often, I will hear a song and add it to my playlist for a particular book because I know it will be the perfect thing to listen to when I write the breakup scene, or a kissing scene, or a road trip scene. I try and create a separate playlist for each book I work on, and often I listen to it when I'm driving (since I'm probably schlepping my kids in the car when I'm not writing) in the hopes that it might spark something then too.

Another useful device for setting the writing mood and bringing you deeper into your story is any kind of aromatherapy. For me, it's scented candles. I have an, er, slight addiction to Bath and Body Works scented candles, I confess. Yankee Candle is pretty darn good too. They offer such a variety of unique scents like Winter Night, Mountain Leaves, Sand and Sea, Storm Watch, etc. If you are writing a scene that takes place in the forest, burning a Fresh Balsam candle can make you feel like you're there. And if that doesn't work for you, at least your house is going to smell really really good.

If your story takes place in an environment that is locally accessible to you, go take some pictures of the places you are writing about. Tack them up on a bulletin board and have them around you while you write. If you can't get there but the images you need are available on the internet, Google them and print them out.

In other words, immerse your senses fully in the experience.

Turning The Mundane Into A Masterpiece

We all find ourselves in those moments in life where we are forced to endure the mundane: standing in line at the bank, grocery shopping, waiting for our kids in the pickup lane at school, etc. But these moments can actually be fantastic opportunities to sharpen those descriptive writing skills and save you from slipping into a coma.

For example: Today, I am boarding a giant yellow school bus filled with 119 marching band kids and parent chaperones, weaving our way through perpetual Los Angeles traffic to a high school nearly two hours away. There they will perform their first competition of the year. The bus ride is usually hot, slow and relatively boring (unless you have an iPod loaded with good tunes or another adult to sit and chat with), but it's also an amazing opportunity to "observe." For most of us, it's been a long time since we've ridden a school bus, but our characters often do. What does it feel like as it bumps up and down on the highway? What do the seats look like? Rips? Gum stuck to the floor? Sticky green vinyl? What does it sound like? What does it feel like as the windows open and your hair gets whipped about? And, grosser but true, what does it smell like? You will no doubt overhear snippets of conversation. What are they talking about? What are the kids doing as they travel? Playing on portable gaming systems? Watching movies on iPads? Texting? Talking? Is it hot? Cold? You get where I'm going....

And at the destination, there's a lot of hurry-up-and-wait in the marching band world. (Hey, kinda like publishing!) What a great chance to people watch! Sit with a notebook and pen and pick 5 random people and describe them fully, head to toe. Describe their clothes, their hair, their complexion, their vocal tone or dialect, their energy level (overzealous band parent or bored sibling that's been dragged along for the ride), what they eat. Look around and describe everything you see. The field, the way the sun looks as it is in the sky at different points of the day and how that affects your comfort in sitting there, what food options are available to you, etc.

And on the ride home, how does your body feel? Are you tired? Energized? How do those bus seats feel on your back now?

You can apply this to every mundane situation there is, because these are all situations we encounter in our day-to-day lives. They can otherwise be boring to read about, but rich description, or something funny or unique you can add as a spike, can make the mundane a masterpiece. Try it! At the minimum, you won't be bored because you'll be writing!

Things To Do While You're Waiting To Hear Back From The Publishing World

I might, possibly, be one of the most impatient people in the world. I admit it. So, it's obviously completely ironic that I've chosen to be a writer and enter the world of publishing, which far surpasses the world of "Hurry up and wait" that the film industry is. But I survived that, and I'll survive this too, because there are many lessons to learn from the tortoise rather than the hare.

First and foremost, when things are moving at the speed of molasses, it offers a great opportunity to work on your craft, and it might give you the spark that you've been looking for. Here are some great things you can do while waiting:

READ EVERYTHING YOU CAN GET YOUR HANDS ON IN YOUR GENRE
When I'm not writing (or packing lunches, shuttling kids, squeezing in time for a shower or doing laundry), I try and read everything I can in my genre. It's great to know what is selling and why. Further, it allows you the opportunity to learn from published writers that write in a style similar to your own. When I read, I will often sit with a notebook and pen and write down key phrases or lines of dialogue or things that caught my eye as well written. I may have written, or will write, similar things, but I study the eloquence with how they crafted those sentences and break them down to see why they worked so well. It's like a free master class. Further, as I query agents, I can use an example of an author they may know (or represent) to give them a sense of what to expect from my writing. Authors will often thank their agents in the acknowledgements, and it becomes a perfect way to target someone who might be an appropriate fit for your work.

USE WRITING PROMPTS
Many authors (like Laurie Halse Anderson, who does this often on her blog) will offer up writing prompts to help inspire you to write. If you have a day where you are simply looking at the blinking cursor on the page, this is a great way to get inspired. Who knows what it can bring forth story-wise? At the minimum, it means you are writing, and whether or not you trash every word or write something amazing, the key is to aim to get words on a page daily, to make it a habit like brushing your teeth or drinking your coffee.

READ WRITING BLOGS
There is such a wealth of free, insanely good writing advice out there on numerous blogs, many from agents and writers themselves. These tips can help you ask yourself the right questions when revising, hear their personal experiences to help you know you're not alone, etc. Often, agents will even put up stats like where they are in their query letters or slush pile, which can help you calm down and refrain from biting your fingernails to nubs, wondering why you haven't heard anything.

SUBSCRIBE TO PUBLISHERS MARKETPLACE
For just $20 a month, you can get a daily email elivered to your inbox that tells you what is selling, in what genre, who is representing it and what publisher bought it. This may also help you hone your focus and know if the work you are trying to get out there is something that certain agents/houses might be interested in. You can also track Agent Deals and find out what agents represent what authors.

ATTEND WORKSHOPS AND CONFERENCES
Workshops and conferences are excellent networking oppportunities - you never know who you will meet! Often, they have manuscript critiques available for that critical first ten pages, and it can be extremely helpful to get that insight from a variety of industry professionals, even if you've had it done previously. I have yet to go to a conference or workshop where I didn't leave with some new nugget that I carry forth and incorporate, and I can't find enough words to describe, at the minimum, how inspiring it feels to be in the company of fellow writers. You can't help but leave this environment and not want to go home and get busy. It doesn't matter if it's an SCBWI event, or something at your local community college. Get yourself out there and get involved. It will help keep up your momentum.

BLOG
If you don't have one, start one. You're helping establish your presence in the marketplace, getting your name out there, and offering yourself another outlet to write. See? I'm procrastinating today's writing by writing this blog right now!! Just kidding. (sorta)

And above all, keep on keepin' on. Don't give up!!