Why Do Agents Take So Long To Answer My Query and Other Burning Questions You Always Wanted Answered: A Behind-The Scenes Q&A With Lit Agent Brent Taylor From TriadaUS

The road to publication is long and twisty and not for the faint-of heart, but along the way you may meet some incredibly cool people who help make the journey all the more fun and exciting. One of those people for me is Brent Taylor, who is an amazing, enthusiastic, up-and-coming literary agent with TriadaUS Literary Agency, Inc. (Follow him on Twitter @NaughtyBrent)! Although he is not my agent, from the moment we became friends, we have each been cheerleading each others' successes along the way. Brent has provided me with incredibly helpful insight into all the ins and outs of publishing, and I told him that when I was first starting out querying, I wish that I had been able to find more information that helped de-mystify the whole process and answers to all the noob questions about the things most authors are dying to know. Being the awesome person that he is, he graciously agreed! So without further delay, Brent Taylor gives you all the answers you've been waiting for.

Hi Brent! Thanks so much for visiting my blog and offering to help shed a little light on the mysteries of the agenting world! Top of the list, of course, is once a writer sends off that query, why does it take so long to hear back? (I know TriadaUS is pretty fast, but speaking generally for most agencies) Aren’t you all sitting by your computers hitting inbox refresh, just waiting for that hot new idea?
You’re right—it generally doesn’t take that long at all for a writer who has queried me to hear back. The longest I let a query sit is two days, but I typically respond within 24 hours. A response time that quick is understandably rare, and it will change once I have a heavier list. Contrary to popular belief, it isn’t necessarily all about that “hot new idea” that will make editors line up outside the door with cash. I get a lot of queries that I’m on the fence about, so although I do take a peek once a new email comes in, I almost always file it away for later.

Describe a typical day in the life. What sorts of fires do you have to put out on a daily basis?
I wake up around 6:30 a.m. and drink coffee as I do damage-control on my email. I like to clear everything pressing off my desk before I start going through queries. After that and through lunch time, I’m usually editing client manuscripts, on the phone with editors or my boss, or doing miscellaneous emailing. The wonderful thing about agenting is that there is no “typical day,” however, so sometimes this routine is shaken up by a book deal or the signing of a new client.

Do you read manuscripts at home in the evenings and on weekends?
This is the only time to read manuscripts. There are just too many phone calls, emails, and distractions during the day.

How many queries do you get a week? On average how many of those turn into full or partial requests, and ultimately into offers?
I get roughly 20-25 a day, so a minimum of 140 queries per week usually. I’m awful at math, so I can’t even begin to comprehend what it would take to calculate a conversion rate, but I will tell you the following two things:
I do tend to over-request. My philosophy is when in doubt request the manuscript and take a closer look, because I don’t want to miss on the opportunity to work on something that could be great with one extra push. I started taking unsolicited submissions in September 2014, and I have 4 clients as of February 2015. My first client was a writer I’d worked closely in a handful of other capacities, the next two were from the slushpile, and the last was a referral from a colleague. So of the thousands of unsolicited queries I’ve read in the last months, two turned into offers of representation.

What is the number one thing with a bullet that makes you fall in love with a story?
Writing that resonates. It’s a very magical feeling when a novel invigorates you and you’re able to reflect or grapple with a personal issue in a new light because of that novel.

So many authors complain that an agent passed because they loved their writing but didn’t connect to the story. In those circumstances, would you ever consider signing that client anyway because of the potential you see? If not, why not?
Here’s the thing: it’s hard enough for us to sell the books that we love. So offering representation to a writer we can’t get fully behind isn’t only a drag for us, but it’s a huge disservice to the writer. You really deserve nothing less than an agent that will fight to the death for your writing career, and I would have such a bad conscience if I represented someone whose writing I couldn’t get passionate about. I’ve passed on a ton of books that other agents represent and I know will sell—because they just weren’t books I gravitated toward as a reader. That’s something I remind myself a lot when making important decisions: I’m an average reader first, and a literary agent second.

Once you get a query that interests you and you request to see more, what happens next? What is involved before you would actually offer representation?
I read the manuscript, and if about 50% of the way through I’m really loving it, I ask for a second opinion on the pitch and first few pages from a friend or colleague. Once I’ve finished reading and still feel confident about offering representation, I make an exciting phone call.

Once you have signed a client, how often should they expect to be in touch with you? What sort of role should an author expect of their agent in getting a manuscript ready to go on submission?
This is so tough, because not only is every agent different, but every client and novel is different too. Like in every business, you have clients and projects that need more attention than others. For me, it’s less about giving each client X amount of my time, but instead striving to constantly assess and meet their needs with 110% effort.

What are the key things a writer should and should not do when reaching out to agents to ensure they do not induce involuntary eye rolls and make them feel stabby?
I’m so grateful for anyone reaching out and sharing their novels with me, so I try to keep eye-rolling to a minimum. But just a few things that come to mind…Be polite and don’t assume too much. Phrases like “I know you’ll love this” and “you said this is what you’re looking for, so you’ll love this” don’t work in your favor. A concise query is a good query. If it can’t fit onto one page, it needs some strong reconsideration.

What made you interested in being an agent?
I’m a natural leader and I have been since I was a kid, so taking charge and being an authority is what I’m good at. Being an agent in this day and age requires this amazing balance between business-savviness and having your finger editorially and artistically on the pulse. That’s precisely why agenting is the only job for me.

What types of manuscripts make you jump the couch that you’d love to see but aren’t seeing right now? What’s the best way to get in touch with you?
No one’s sending me this generation’s Sisterhood of the Traveling Pants, perhaps because I’m a man, but I’m trying to put the word out there that this is something I desperately want. Beyond Sisterhood, I’m very open to all sorts of YA. For some reason, I’m also having a hard time getting diverse submissions to come through my inbox. All flavors of diversity are welcome, but LGBT characters and storylines are of a great personal importance to me. I would go crazy for a literary MG or a novel written in verse. The best way to reach me is at brent@triadaus.com. Querying writers can send me their query letter and first ten pages pasted into the body of the message.

Thanks so much for all this great insight, Brent! Good luck everyone!

Darkest Before The Dawn

Last we spoke, I was busy shaking up my personal snowglobe and making a few changes, but I didn't really get into what they were. But the truth is, what was really happening is I was digging deep. I had to sit with myself and figure out how badly I wanted this writing dream, how much I believed in myself and my work, and my ability to find the right connection with someone who could help me get the other half of the way there. So I made a really scary decision. I decided to leave my then agent and start from ground zero with my shiny new project, querying all over again. Leaving your agent when you are unpublished in search of a new one is absolutely terrifying, I'm not gonna lie. You've worked so hard just to get them in the first place, and then you choose to walk away? But it's a partnership, and sometimes, like in other types of partnerships, one person or the other needs change.

I started querying. At first 5-10, then another few, and eventually I just threw a whole bunch of them out there, because what exactly was I waiting for, really? Querying takes forever, sometimes months until you can hear back, and I already felt like I'd wasted a lot of precious time. Several writer friends offered up referrals to agents they knew, as well as their own. And within 72 hours of starting to query, I had amassed 11 full requests and 2 partials. It went like this, up and down, over the course of the next two and a half months. One would reject, and just as quickly, another would request. And suddenly names were showing up in my inbox that I couldn't believe were requesting my book.

But despite the constant amount of requests (by the end I'd had an amazing 26 full requests and 4 partials and then 3 more full requests when I pulled the query from people who wanted to know if they could still see it and throw their hat in the ring), a funny thing hapened. Self doubt started to creep in. Crazy, right? So much interest, so much activity, but yet also so much silence. It was deafening. Because if you work in publishing or if you are a writer, you know that this business moves at a snail's pace, and it is not at all uncommon to wait months until you hear back from agents or editors on a manuscript. And I'm not gonna lie: I'm an impatient girl. It's like I was sinking deeper and deeper into some sort of emotional quicksand, until it felt like it could envelop me whole, feeling like maybe despite all this interest, they will all come back no. My writer friends tried to boost me up, to reassure me this kind of attention was unusual and something had to happen, but I'd crossed a threshhold of sorts in that silence where I had started to lose faith. And the one piece that kept me going was a nugget from my friend Nadine, who said to me with each rejection, "If that train doesn't stop at your station, it was never your train."

And then, the morning after the worst day, the one where I just kept hitting refresh on my inbox to the point of carpal tunnel syndrome, it happened. I woke up and had an email from my top choice agent, Leigh Feldman, asking if I could talk at some point this week. Surely she must have mixed me up with someone else. I'd only sent her the full manuscript 5 days prior and now here she was, wanting to talk. Because agents don't usually call you unless they are actually interested. And frankly, until I talked to her on the phone and she mentioned the title of my book, I was not entirely unconvinced she'd mixed me up with someone else and written to me by mistake.

Once she offered, I had to send out Offer of Representation letters to the 16 remaining agents who had the full at that time and also the 3 with partials, plus all who had the query so they would not waste time reading it. As I said, a few more wrote back with interest, a partial was upgraded to a full, and thus began the most crazy insane week of my life. Fast forward to say that it concluded with three offers of representation from three equally unbelievable agents, any of whom would have been absolutely incredible to work with and were so passionate about the project. Ultimately, I chose Leigh. My admiration of Leigh goes way back to when I queried my first novel BAND GEEK. Plus, she was the first to offer, which does mean something in my book when someone reads and knows they love something. She's so sharp, and has such great enthusiasm and vision and to be honest, as I told her, she had me at hello.

I feel incredibly blessed, and despite how unbearably painful it was to feel at the time, I'm even thankful for the lowest moments. They serve as a constant reminder that everything can change overnight, and that there's truth to that old saying "It's darkest before the dawn."

Unremembering

My writer friend and agent sister extraordinaire Jessica Brody is helping celebrate her upcoming release of her new sci-fi trilogy, beginning with the first installment UNREMEBERED, by asking fellow writers and bloggers to blog about a moment in their lives they wish they could "unremember". Well, here's mine *cringes*:

At the beginning of my writing journey, when I was still questing for an agent, I became fixated on one who seemed to be the perfect fit. It was the summer of 2009, and when I saw that he would be attending the national SCBWI conference here in Los Angeles, just a mere 45 minutes away from me, I took it as a sign. (FYI - I'm all about signs, so who was I to fight the universe?) I signed up for the conference with my sole mission to make contact with this guy, since he currently had my full, hoping that a little snarky banter and face time would win him over, if not make him all the more eager to sign me regardless of the fact that my book, at that time, probably wasn't ready for publication. (It went through at least 4 subsequent drafts. Oy!)

At the conference, I met some writers and told them why I was there. They knew who he was, and joined in my mission to track him down and make sure I had my shot. At a party there that night, we totally stalked him poolside until I found just the right window and made my way over to him. We indeed had a great conversation, and in a rare moment, all my words came out in cohesive sentences and I left the exchange satisfied that it had gone really well. I should have left well enough alone.

Over the next two days, I saw him numerous times, but now we knew each other kinda sorta, right? So I'd wave, I'd say hello, and once I was even sitting at a table near him in the lobby and (shudder) felt so awkward sitting right next to him I offered to buy him a drink. (He said no thanks and continued talking to the two editors he was sitting with, probably about that overeager newbie author who was clearly starting to make an ass of herself with her fangirl/borderline stalker excitement.)

When weeks later he passed on the book (with a sweet rejection and uber-helpful notes though, to his credit), I was devastated, but was determined to do a rewrite and contact him again. (First note to self and others: Only do this if the agent has actually ASKED to see it again, which, technically, he didn't.) Flash forward to the following year's conference, where he had subsequently agreed to read the book again, and once again I was waiting on pins and needles. Naturally, he was the first person I saw as I checked in, and he recognized me and even said hello. But then, it got weird.

He was, literally, ever-y-where, and even though I was totally NOT stalking him (no, seriously, I really wasn't, I'd be straight up with you), it started to seem like I was. But we were constantly in the same orbit, and after the first few times, I could literally start to see him tense up when I was nearby, if not dodge and hide behind some fake foliage in the lobby. (Not really, but I bet he wanted to.) And in an act of sheer irony from the universe, I befriended his writer wife, and ended up talking to her quite a bit and even writing with her in the lobby one afternoon, making sure to steer clear of the subject of him. When he saw us sitting there together, I swear he went pale. Suddenly, I was Newman to his Jerry, and there was no undoing it. Inadvertently, in my attempt to be friendly and outgoing and make a good impression, I'd done just the opposite, and in his mind he was probably worried he would go back to New York and find a literary equivalent of a rabbit in a pot on the stove from me.

So, needless to say, this guy is not my agent, and if I could "unremember" any single event from my writing career, it would be this one, hands down. I cringe every time I think of it.

Oy, indeed!

Standing At The Base Of Mt. Everest: The Realities of Submission and Revision

So...I apologize for being sort of M.I.A. for awhile but a lot has happened that I've been trying to figure out how to discuss here. Since the main objective of this blog is to document my writing journey and serve as a resource for fellow writers who are on the path, the truth is that I can't just share the good and the hopeful, but I need to share the negatives too. Because sadly, they are as much a part of writing as all the other stuff.

To be honest, the last six weeks have been pretty stressful. After many months of being on submission, getting wonderful feedback overall but no offers, and biting my nails to the quick, BAND GEEK is officially off of submission and did not sell. As you can imagine, this was a huge disappointment. It seems that editors did not think that their teen audiences would readily go for a book with a male protagonist that wasn't a book for boys, and while several even said that it would have been great if the protagonist had been a girl instead, none offered and gave me the chance to flip it and work with them to make it be more of what they were looking for. Editors today are truly looking for books that are already in absolutely perfect shape, which raises the bar ever higher. Fortunately, there is a pool of interest for whatever I write next and an open door to submit, so therein lies the silver lining.

The reality is, I'm not alone in the large group of writers whose first book did not sell. However, our egos always want to believe that we are the exception to the rule. Mine was no different. What kept me sane during the entire submission process, however, was the fact that I was busily writing a second book.

Which brings me to stresser/disappointment #2: I finished the second book, revised it to a place where I felt really good about it and sent it out to my beta readers. The feedback that came back was fairly consistent: It was a great read, very enjoyable and fun, and so tightly written that it was hard to find places to comment. This made me feel on top of the world, naturally, and so I eagerly sent it to my agent, confident he would feel the same. This book had all the positive elements of my first: the humor, the dialogue, a fun premise, plus a female protagonist. I felt like I couldn't miss. However, that was short lived because after my agent read it, he reported back that he felt it still needed a lot of work, and that a lot of missteps I'd made with the first book were present with the second. He suggested I work with a freelance editor/book doctor to help get the book into shape since he thought all the bones were there for a great story but it wasn't there yet.

I was crushed. My confidence and mojo were wiped out in a single blow. It was so unexpected, and perhaps it brought me back down to Earth that I still had much to learn despite how far I've come.

I began working with the editor/book doctor, who was wonderful, and gave me incredible insight into every aspect of my story that wasn't working and why. She helped me brainstorm ways I could punch things up to make them mesh better and be more logical and cohesive. Having now had a month away from the book, she suggested that the first thing I do before undertaking a revision was sit down and re-read the book with an eye to the comments both she and my agent had provided. And you know what? They were spot on.

While this was depressing as hell, it was also a tremendous gift. It gave me the chance to have distance and to rethink and rework and to make this book be the novel it deserved to be and the story I really wanted to tell. A story that at the end of the day actually mattered.

This summer at the SCBWI conference in Los Angeles, editor Elise Howard from Algonquin gave me food for thought like no other presenter when she said that she had a narrow list of titles but went primarily for "stories that matter." It made me reflect on my own writing and how although the dialogue was snappy and snarky and fun and the stories were light and romantic, they might really be missing that something that makes them stay with the reader. So I've been given the chance to do just that.

As I dive into this monstrous revision, I feel like I am standing at the base of Mt. Everest, but I know that in order to follow my dreams, I must embrace the climb. As Ray Bradbury says, "You only fail if you stop writing." So with that as my mantra, I take my first step forward. Admittedly, I'm terrified, but I also know that this is my passion and that I will get there. And I am incredibly fortunate to have an agent who believes in me and has faith in me, as well as a community of family, friends and fellow writers who will cheer me on to the finish line.

So wish me luck. If I'm on here spottily, it hopefully means I'm knee deep in revision and I will check in now and again. What better time to start than NaNoWriMo, right? I guess I picked the wrong week to give up coffee. *sigh*

Writing Effective Loglines and Pitches

One of the most important parts of selling your novel is creating an effective logline and pitch. Regardless of the fabulous epic novel you've written, filled with quirky characters, edge-of-your-seat action and riveting dialogue, the logline and pitch are the first thing any editor or agent will see to determine if your novel is something they wish to read. Therefore, they need several key elements that not only convey what the story is about, but also the tone of the story itself, distilled down to one or two sentences, in the case of the logline, and a couple of paragraphs for the pitch. I don't know about you, but this task, to me, may be even more daunting than the writing of the story itself.

Let's start with the logline. A logline gives a concise overview of the story without going into detail on characters or subplots, just the essential bones. For example, let's look at THE HUNGER GAMES by Suzanne Collins. It's logline, taken from it's Copyright page, reads:

“In a future North America, where the rules of Panem maintain control though an annual televised survival competition pitting young people from each of the twelve districts against one another, sixteen-year-old Katniss’s skills are put to the test when she voluntarily takes her younger sister’s place.”

A strong logline will convey the following: WHO the story is about, a SETTING, if essential to the story, WHAT the protagonist wants and WHAT stands in his/her way. All of this is told without giving away the entire story. Think of it as the answer you'd provide when people ask you what your novel is about. Generally, it should be just one sentence, but more intricate storylines may use two. Use a really strong adjective or two when describing your main character (a geeky clarinet-playing seventeen-year-old, an overachiever, etc.) to help paint a bigger portrait of who the protagonist is. Also try and avoid putting "themes" or "messages" in your logline, as it may make the story immediately seem preachy or cliched.

The pitch lets you go into a little more detail. This is the information you would put into a query to agents, and ultimately what your agent would use to in turn pitch the story to editors. You have the ability to elaborate with a little more detail on the points you touched on in the logline, but again, be sure not to give away twists and turns or the ending. Otherwise it leaves the reader no need to read the story itself to find out what happens. Think of the pitch like reading the jacket flap on a book. It conveys an outline of the story with just enough detail to read you in but leave you hungry for more. It is important to include information about setting, genre, and what makes your book unique or stand out (i.e. not just another road trip novel or vampire story.) This is truly the place to let the tone of your book show and let the agent/editor get a feel for you as a writer. If your book is funny, the pitch better be too! Otherwise you are missing a golden opportunity to show the flavor of your book and your writing.

Good luck!

Having Lunch With My Agent And Other Surreal Things That Happened To Me Last Week

Last week, my family and I went on a much-needed vacation to New York City. Not exactly the most relaxing place, I agree, but nonetheless, none of them had been there, it was quality time with our two kids, one of whom is ready to leave the nest next year, and for me, it held the added caveat of being able to meet my agent face-to-face, break bread and talk about writing and publishing.

As surreal as it was to get the actual call offering representation, there are few words that can describe what an amazingly cool thing it is to sit in a restaurant in Midtown Manhattan and have lunch with my agent. I felt like the little kid who was finally being offered a seat at the adult table. I enjoyed the freedom of stripping away the limitations of email and the telephone to talk about where things are at and what the future holds. Even if it was only for two hours, he made me feel like I was his most important client, and renewed my confidence that I am with the right person for me and that his knowledge of the industry and where my work fits is extensive and spot on.

We talked about the kind of writer I want to be and the stories I want to write, and then he discussed with me the realities of the marketplace and what I need to do as a writer to stay competitive and get my work out there, remaining unafraid to stretch past my comfort zone. His honest pep-talk of sorts was just what I needed to bolster my spirits as I move forward on the rewrite of my second novel while still knee-deep in the waiting game on my first one. (You thought agents take a long time to respond to queries? Try being on submission with editors with a non-high-concept novel. Just sayin'...)

Living in Los Angeles, I am completely unfazed to drive by movie studios like Disney, Warner Brothers, Universal or Fox. They are just part of the landscape here like Starbucks or anything else. But I was positively giddy and reduced to a state of sheer awe to behold the likes of Simon & Schuster or walk past 1 Dag Hammarskjold Plaza and know that that was the home of Dell Yearling, the once-publisher of all the Judy Blume novels I grew up reading until the pages were practically separated from the binding.

The rest of the week was spent enjoying the city with my family, seeing six plays, touring the Statue of Liberty and Ellis Island, exploring two museums, and enjoying copious amounts of pizza, especially via our walking pizza tour of Greenwich Village. And best of all, on the plane ride home, an idea for a new novel came creeping into my brain and started taking shape.

Published or unpublished, agented or unagented, there is something about being a writer and coming to New York City to truly make you feel like one. I highly recommend it, if nothing else but to inspire you and reinforce that you can't have a dream come true if you never have a dream.


Me with my agent Bill Contardi

Predicting the Trends in YA for 2012

The blogs are abuzz with chatter post-Bologna 2012 Children's Book Fair from agents and editors alike talking about what the upcoming trends in YA will be. The truth is, it almost seems like it's anyone's guess, which is refreshing, and feels like it evens out the playing field for all. Perhaps there is a sense that today's YA readers are diverse, and not necessarily just young adults, but like young adults, their interests can vary and change. One minute they may want a good sci-fi novel and the next, curl up with a good mystery, and then get swept up in a good romance. Good news all.

If you watch the listings on Publisher's Marketplace as of late, there seems to be a plethora of books still being bought in the paranormal, dystopian and fantasy realms. However, buzz suggests that psychological thrillers and even science fiction are of particular interest, as stated in informative articles like this one from Publisher's Weekly Online. According to William Roberts, who handles foreign rights for The Gernert Company, dystopian has become "the d-word" and paranormal "the p-word." And agent Sarah Davies tweeted from Bologna that people want melty - as in make you melt into a puddle of goo - romances. Great news for people like me who write contemporary humorous romantic YA! Is the door at last cracking open with an interest to revisit this timeless genre??

Agent Kristin Nelson blogged today on her blog "Pub Rants" that she also didn't know what the next trend was, but she heard lots of people on the plane ride over that the next hot trend could be geeks in young adult fiction, which, of course, would be amazing. I mean, hello? My book is called BAND GEEK? Does it get geekier than that? And there's romance! Did I mention the romance?

On the other side of the fence, as an avid reader and lover of YA, I am excited that my reading choices will be broader. And as a writer, it reinforces in me more than ever the importance of writing what I love to read, because trends constantly change, and eventually what I write may have it's moment to be the flavor-of-the-month. Because I write contemporary romantic YA, it's timeless, and there are always teenagers looking to swoon and fall in love, even if it does not involve vampires, werewolves or zombies.

There's never been a more exciting time to write young adult. Even best-selling adult novelists like Phillippa Gregory and Jodi Picoult, to name a few, are diving in, according to USA Today.

So don't give up because you're feeling discouraged that what you write isn't what is "in demand." Right now, everything is wide open, and what is selling, at the end of the day, is quality writing. The stories that make you curl your toes, stay up late and keep turning the pages. A solid story with memorable characters, a strong voice, and a unique take on events stands out regardless of genre. Remember who you are writing for - yourself and your audience - NOT agents and editors. Write the story you want to tell, and believe that the reader will appear.

Being On Submission (i.e. Waiting for the Rain)

Do you know that moment just before a big rainstorm, when the clouds are pregnant with rain and you can feel the heaviness in the air, but not a single drop of water has broken free? That anticipation, that knowing, that feeling that something is about to shift and change and suddenly the quiet stillness will give birth to something new? That's what it feels like to be on submission.

I wanted to blog about it because it's an important piece of the writing journey, one every writer certainly aspires to. I am blessed to have found such an amazing agent, and even more blessed that he has a really good eye for knowing what editors might really connect to this story. And so here I am, at the next rest stop, once again waiting, having faith, making prayers, and trying to quell the butterflies that are perpetually dancing in my stomach.

You see, the waiting game does not end when you get an agent. Far from it. Though that process alone can take anywhere from several weeks to several years, once you obtain representation, you may have to perform rewrites before your book gets sent out. And then, if it gets sent out to a few editors and they like it but have a few concerns and are kind enough to detail them, you may have to revise yet again to address those concerns in the hopes that they will be willing to revisit it. This part alone can take months.

Once an editor receives your book, if they like it, generally they have to take it to whomever is above them and win their approval too, and then ultimately, the book would move on to acquisitions, where that team also has to fall in love with it and stand behind it. Again, this process too can take anywhere from weeks to months.

There are far more agents than there are editors, so when you go out on submission you are going to a much smaller pool of people. This is quite daunting, because you only have so many chances for someone to fall in love with your work before you might need to put it aside. The good news is that editors do change houses, so what you are forced to put aside now may indeed be saleable somewhere down the line to fresh eyes, but ideally, we all want to sell our book NOW, right?

So right now I'm sitting here, waiting for the rain. My sky is absolutely pregnant with possibility, and I have no doubt the rain will come. The question is when, and what force will this storm bring? It's an exciting moment to be sitting this close to the threshold of seeing a lifetime dream become reality. There's something magical in soaking up the palpable essence of the moment that potentially divides those two things.

The Art of Letting Go

There is a famous quote by Reinhold Niebuhr that I try and live by daily. I'm sure you've heard it before: “God, grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference.”

The agent search/publishing process falls neatly into the category of things we cannot change, nor have any real control over. Yes, we can tweak our query, revise our story, select who to approach, but the rest is all really up to the universe/fate/whatever. We can light candles, say prayers, do rain dances, and all sorts of other craziness (and, really, it probably can't hurt,) but at the end of the day, we can only do so much, and then it's simply time to let go.

Letting go of your work is probably the hardest challenge of all in the writing process. It's akin to the feeling you get in your gut as a parent when your child grows up and goes off to college or gets married and starts his/her own life. What happens to them from that point forward is out of your hands. So it is with your book. When you've done all you can do, and that book is in the hands of that agent, or that agent has sent that book out on submission, all you can do is wait. Nudging and pushing to find out the answer will more likely get you a no than a yes, and if it is meant to be, it WILL happen. And if it's not . . . it won't. It's that simple. Hard as it is to embrace that concept, it is essential in order to move forward as a writer. If you continue to focus solely on the project you are querying or are on submission with, you will never get to the task of writing your next book. Chances are, as your self-confidence naturally wavers and ebbs with the waiting and inevitable rejections that come, you will be less focused and less inclined to press ahead with new ideas.

The best thing you can do is to accept that whatever happens will happen, and start writing. Lose yourself in a new work, new characters, new world building. Use this time to catch up on reading and take workshops to hone your craft and meet people. These are all productive distractions, and ultimately, when that agent call comes, or that publisher wants to buy your book, you can let them know you are busy at work writing something else, or even better, have another completed work to share.

Checking your email 100 times a day and waiting by the phone will only make you crazy and unproductive. Accept the process, accept what you can do and know you've done all you can, and then let go. That's when stuff happens anyway, right? Just when we've given up, put it aside, and moved forward. Just as a watched pot never boils, it is no different with this process.

When is your novel ready to submit?

I am so happy for a writer friend of mine. She has been working on her novel for five years - yep! that's right - five years - and FINALLY got it to that sweet spot where she knew it was ready to start querying. She'd queried it before in another form and generated interest, even did a full rewrite for an agent at their request, only to have them pass. However, instead of that destroying her confidence, she dove back into the manuscript and kept what advice she found useful and brought it back to the story she wanted to tell, not the story somebody else was looking to hear.

Several years and many rewrites later, she sent out ten queries in her first week and instantly got three requests for the full from three top agents. This is the amazing stuff every writer wishes would happen to them. However, when you hear of someone's insta-success, or a huge amount of interest in their book straight out of the gate, there's usually a story behind it. There's usually years of hard work, agonizing rewrites, painful hours of cut and paste and spell check and tears, moments of wanting to give it up, moments of thinking it's there only to realize it's not. Sure, instant successes happen, but it's important to remember that nothing worth having in life comes without hard work. Writing is hard work, and although sometimes it's hard to keep the optimism level high and the words flowing, the only way to get your novel to where you want it to be is by doing the work.

So how do you know when it's done? The truth is - it's never done. There is always something, upon reflection, that you find that you wish you could tweak or change. For a novel to be ready, it must undergo many revisions. When I get feedback, I read it through and see if I honestly agree with it. If just one person says it, I mull it over and see if it feels right. However, if two or more people say it, I change it without hesitation. Then it's no longer a subjective thing; it's an identifiable problem.

If you send your book out in the world when the feedback coming back is still saying something needs attention in one way or another, you are only short-changing yourself opportunity. You only get to query an agent once with a project, unless they request changes or you've made a substantial revision and they initially expressed strong interest, in which case you can certainly contact them and see if they would be open and willing to reconsider your work.

When you feel your book is truly done, be honest with yourself. Are you just sick and tired of working on it and it is what it is? Have all previous concerns from feedback you've received been addressed? Were there things you received feedback on that you stubbornly refused to change, and if so, why? Are you just anxious to get it out there already? If your answer to any of these questions is yes, do yourself a favor - take a step back. Because guess what? Your novel probably isn't ready. And the beautiful thing is - at this stage in the game, time is on your side. There are no deadlines save the self-imposed ones. You have the luxury of being able to take all the time you need to make it right, and in the end, it will have been worth it.

Finding An Agent

You've written the book, you've spent hours perfecting your query and synopsis, and now the time has come to get your baby out into the world. Where do you start? There are, literally, hundreds of literary agents out there. How can you possibly know who they are, what they like, and which one would be the best fit for your work?

The best place to start is by making your own personal agent "wish list", i.e. what factors are the most important to you in a working relationship. Remember, your relationship with your agent is a partnership akin to a marriage. You have to be able to feel comfortable to approach them with questions and issues, there needs to be clear communication, and that person has to "get" you and your work. Are you more comfortable working with a man or a woman? Huge established agency or a smaller boutique agency with a smaller client list? A newer agent or someone who has more experience? Someone who communicates to you every step of the way or someone who just checks in when there's something important to say? Based in New York or based somewhere else? (By the way, the latter point does not seem to matter much these days with the advent of the internet, Skype and whatnot - they all are well connected to the primarily New York-based publishing houses.) Written contract or verbal agreement? Only you can answer these questions as to what works best for you, and will help you hone in on select people as you begin your search.

The next step is to become familiar with several key websites that are a tremendous asset in helping research what each agent is looking for. Hands down, the best one I've found is Literary Rambles, which is literally a one-stop shop for finding the low-down on some of the top agents in the business. The site has specific submission guidelines for each agent, their interests as far as requested materials, and an abundance of links to further research anyone who catches your eye. You can branch off and read interviews on blogs, or see their listings on Publishers Marketplace, and so on.

Also excellent are sites like AgentQuery.com, which allows you to perform searches in a specific genre and also has information like comments from other writers, response times and request percentages, contact information, and much more. This site will also tell you if the agent likes to see queries by email or snail mail.

There are also many invaluable blogs, which I have mentioned in previous posts, and books like Writers Market and Jeff Herman's Guide to Book Publishers, Editors and Literary Agents. These books are updated annually because editors and agents move around a lot, so it is always best to check the agency's website directly to make sure that particular agent is still there. Writer's Digest also has an online component with the most current listings if you purchase the deluxe edition. They also have a smaller resource guide that is specific just for literary agents, which can be found here.

Start small and send out queries to just a few at a time. Hopefully, someone bites with interest right away, but if not, you can take the feedback you get to help you tweak the query or hone your focus differently. For example,Agent A that works for mega-huge agency that you'd sell your first-born to work with may state specifically she loves paranormal and sci fi and you're sending her your contemporary romance. Show them you've done your homework. Know who they represent, especially if they rep writers similar to how you write.

And most of all, have patience. This process takes a loooooong time, unless you're one of the super lucky ones who gets an agent right out of the gate, but remember, they are the exception, not the rule, so don't feel like giving up if it doesn't happen on the timetable you've envisioned. Good luck!

The post where I get to announce I have an AGENT!!!!

Wow. I would be lying if I told you I haven't dreamed about writing this post. The thrill of actually finding a person that champions my story and my writing with as much passion as my mother does is, quite honestly, one of the most incredible feelings on Earth.

Two years. 9 revisions. Lots o'queries, the bulk of which were long before the book was truly ready to query. 16 Fulls, 3 partials, many rejections. I truly felt, at times, like I was on a roller-coaster. After all this time, and so many mistakes, the book was FINALLY ready and where I wanted it to be. But was it too late? And then, something happened that changed everything.

Do you ever meet someone and just know that they were brought into your life for a reason? Something about the moment you meet seems super-charged, as if the universe were orchestrating this moment into play for a very specific reason? I felt like that when I met YA author Jessica Brody at a writing workshop she led this past November. Our instant banter led to an easy friendship, and she was kind enough to pay it forward and offer me up a referral to her agent, Bill Contardi at Brandt and Hochman. She couldn't sing his praises enough, and she was also honest in saying that he had never once signed anyone she'd referred, but she encouraged me to go for it. I did, and Bill responded instantly, requesting the full, and then, last night, I got "the email", the one I'd read about on so many blogs where the agent says they loved your book and would like to set up a time to talk to you.

I have to be honest and say that I had to read the email three times at least before I screamed and called my family downstairs, because I'd grown accustomed to seeing, "I read BAND GEEK and I really liked it BUT . . ." This one said that too, but there was no BUT. Bill is an unbelievable agent. He not only represents Jessica, but Alyson Noel, who is one of my favorite YA authors, like, EVER! He's well respected and has worked in publishing for close to 30 years, including having a background in film and handling the film rights for clients like Meg Cabot and Ursula LeGuin. Holy cow!

The feelings racing through my brain and body were indescribable. How can you put words to that moment where suddenly everything you've worked for and dreamed of might possibly be one step closer to fruition?

Five minutes on the phone with Bill the next day, and I knew he was the right one for me. He loved the book, the voice, the character, and is as passionate about the project as I am. He has vision for where to send it and what it's future potential might be. In that moment, I got what all those blogs are saying. You shouldn't just sign with someone because they are interested in your project, nor should you mourn the ones that said no because you thought they seemed so perfect. You should go with your gut. The person you say yes to should be as excited as you are about your work, and not one iota less. And you can hope that when they send your work out into the world, their excitement can't help but be contagious. The "no's" are a gift, because they are clearing the path for the right one.

So the journey continues, and now the road merges in a new direction. I've never been so excited to hurry up and wait anew.

Got A Writing Question? Bet There's A Blog To Answer It!

I know . . . don't rupture an aorta from the shock of me putting up two blog posts in as many days, but this seemed like a good add-on to what I blogged about yesterday. I mentioned there are several fantastic writing blogs and websites out there that provide a plethora of informative, insightful and amazing advice. And best of all, you don't need to change out of those grungy sweats you wouldn't dare be caught dead in, nor abandon your favorite writing chair or let your morning coffee grow cold on the counter. You can garner all this info., free of charge, right from your computer. So sit down, get your mouse clicker finger ready, and be prepared to be enlightened.


GOT GRAMMAR ISSUES?
First off, does your grammar suck? Are you like me and abandoned your basic grammar skills after 10th grade, only to have that come back and bite you in the butt when you decided to become a writer? Well, guess what. Have I got a lifesaver site for you! http://grammar.quickanddirtytips.com/ Grammar Girl is my new best friend. Unfortunately, we can't go have a latte together now and again or paint each other's nails, but she does give me the skinny on what I'm doing wrong and how to fix it. You can even subscribe to her newsletter and get great grammar tips daily. Another great grammar site is http://grammar.net Grammar.Net has a lot of the same stuff as Grammar Girl, as well as a section where you can actually cut and paste chunks of text to analyze it for errors. It catches things even my Word Grammar checker did not. They also have a newsletter you can subscribe to, and I find the tips in it very helpful.

WONDER HOW TO WRITE A QUERY? OR *shudder* A SYNOPSIS? AND HOW THE HECK SHOULD I FORMAT THIS DOCUMENT?
Glad you asked! There are soooo many great blogs out there, many run by agents or writers, that give the insider scoop on the way things should be done. Some will give you examples of great query letters, formatting tips, do's and dont's, and answers to just about every publishing question you can think of. Here are some of the best ones I've found:

http://nathanbransford.com
Nathan Bransford is an ex-agent from Curtis Brown, Ltd., who is now a self-described publishing civilian working in the tech industry. He is also an author, and holds my current personal record for fastest rejection ever - a mere 43 minutes from query to pass, but I still love his blog anyway. To me, he is THE go-to source if I want answers.

http://kidlit.com
Mary Kole from the Andrea Brown Literary Agency also provides an incredibly insightful blog, including resources for writers and information about upcoming events and conferences. Mary is a highly respected agent, a YA and middle grade author, has a strong web presence, and knows her stuff. She encourages readers to send her questions directly that she can address on the site. You can get lost for hours on there.

http://www.writersdigest.com/editor-blogs/guide-to-literary-agents
Chuck Sambuchino's Guide To Literary Agents blog features fantastic articles and interviews, as well as a platform for writers to share with other writers how they got their agents. He spotlights new agents, providing a great opportunity to approach someone new. You can spend hours going through the back archives and garnering great insight from industry professionals.

http://bookendslitagency.blogspot.com/
Jessica Faust at BookEnds LLC has probably answered more "when in doubt" questions for me than she knows. There are so many great entries here. The information is shared with humor and heart.

www.rachellegardner.com
Rachelle Garner at WordServe Literary also has an amazing blog. Her information is spot-on, short and to-the-point. QueryTracker often includes links to her blog. She talks about everything from author platforms to query advice and beyond.

/www.greenhouseliterary.com/index.php/site/sarahs_blog
Sarah Davies at Greenhouse Literary offers up a wealth of advice on every topic under the sun. She is honest and forthright, and tells it like it is. She has a great sense of humor and I guarantee if you follow her tips, you will improve your writing.

http://jennybent.blogspot.com
Jenny Bent of the Bent Agency has a fantastic blog called Bent on Books. In fact, I was once writing back and forth with one of her clients and he told me, as I was describing my time in the trenches of query hell, to check out her blog, that it was one of the best he'd seen. I agree. She makes you laugh and offers up gems that are invaluable.


This is just a small sampling of what's out there, and should keep you busy for a while. There are also countless blogs written by authors from every genre, and often they will have links to other blogs you may enjoy in the same vein. We are fortunate to live in a time where so much knowledge is available to us with a simple click. Take advantage of it. And keep on writing!!!

Things To Do While You're Waiting To Hear Back From The Publishing World

I might, possibly, be one of the most impatient people in the world. I admit it. So, it's obviously completely ironic that I've chosen to be a writer and enter the world of publishing, which far surpasses the world of "Hurry up and wait" that the film industry is. But I survived that, and I'll survive this too, because there are many lessons to learn from the tortoise rather than the hare.

First and foremost, when things are moving at the speed of molasses, it offers a great opportunity to work on your craft, and it might give you the spark that you've been looking for. Here are some great things you can do while waiting:

READ EVERYTHING YOU CAN GET YOUR HANDS ON IN YOUR GENRE
When I'm not writing (or packing lunches, shuttling kids, squeezing in time for a shower or doing laundry), I try and read everything I can in my genre. It's great to know what is selling and why. Further, it allows you the opportunity to learn from published writers that write in a style similar to your own. When I read, I will often sit with a notebook and pen and write down key phrases or lines of dialogue or things that caught my eye as well written. I may have written, or will write, similar things, but I study the eloquence with how they crafted those sentences and break them down to see why they worked so well. It's like a free master class. Further, as I query agents, I can use an example of an author they may know (or represent) to give them a sense of what to expect from my writing. Authors will often thank their agents in the acknowledgements, and it becomes a perfect way to target someone who might be an appropriate fit for your work.

USE WRITING PROMPTS
Many authors (like Laurie Halse Anderson, who does this often on her blog) will offer up writing prompts to help inspire you to write. If you have a day where you are simply looking at the blinking cursor on the page, this is a great way to get inspired. Who knows what it can bring forth story-wise? At the minimum, it means you are writing, and whether or not you trash every word or write something amazing, the key is to aim to get words on a page daily, to make it a habit like brushing your teeth or drinking your coffee.

READ WRITING BLOGS
There is such a wealth of free, insanely good writing advice out there on numerous blogs, many from agents and writers themselves. These tips can help you ask yourself the right questions when revising, hear their personal experiences to help you know you're not alone, etc. Often, agents will even put up stats like where they are in their query letters or slush pile, which can help you calm down and refrain from biting your fingernails to nubs, wondering why you haven't heard anything.

SUBSCRIBE TO PUBLISHERS MARKETPLACE
For just $20 a month, you can get a daily email elivered to your inbox that tells you what is selling, in what genre, who is representing it and what publisher bought it. This may also help you hone your focus and know if the work you are trying to get out there is something that certain agents/houses might be interested in. You can also track Agent Deals and find out what agents represent what authors.

ATTEND WORKSHOPS AND CONFERENCES
Workshops and conferences are excellent networking oppportunities - you never know who you will meet! Often, they have manuscript critiques available for that critical first ten pages, and it can be extremely helpful to get that insight from a variety of industry professionals, even if you've had it done previously. I have yet to go to a conference or workshop where I didn't leave with some new nugget that I carry forth and incorporate, and I can't find enough words to describe, at the minimum, how inspiring it feels to be in the company of fellow writers. You can't help but leave this environment and not want to go home and get busy. It doesn't matter if it's an SCBWI event, or something at your local community college. Get yourself out there and get involved. It will help keep up your momentum.

BLOG
If you don't have one, start one. You're helping establish your presence in the marketplace, getting your name out there, and offering yourself another outlet to write. See? I'm procrastinating today's writing by writing this blog right now!! Just kidding. (sorta)

And above all, keep on keepin' on. Don't give up!!

What I've Learned Thus Far

So, here I am, two years in to this journey, and I do feel slightly farther down the path than when I started. Although I still have not found that perfect agent, nor had the thrill of holding my published book in my hand, I have learned so much, and in the end, it can only stand to make me a stronger, better writer.
JUST BECAUSE YOU'VE FOUND THE PERFECT AGENT DOESN'T MEAN THEY'RE PERFECT FOR YOU These past few weeks, a couple of friends of mine have taught me a lot about the realities of having an agent. When we're new, we query everyone we can in the hopes that someone will bite. Admittedly, we are just so excited to see our words in print and our dream realized that we are not truly as selective as we should be. Finding the perfect agent has been likened to a marriage - you want to be in this relationship a long time, so you should be able to look at the world the same way, to communicate effectively, to get along well and mutually get what you need from one another. You would not pick a guy to date simply because he's the next guy to walk through the door, so why should you pick an agent simply because they are the next name on the list? Take the time to research them, to know what kinds of books they like, to hear feedback on their personalities and the ways they communicate (or don't), and assess if they would truly be the right fit for you. THEN query. And what if you find your dream agent and they don't want YOU? That's the part that's the toughest of all - to remember that it may not be THIS project that brings you together, and that you must keep writing, and with each book comes a new opportunity to connect.
YOU MUST KEEP WRITING It's hard to let go of a project, or put it on the shelf, when you've invested so much time and energy into it. But sometimes it's necessary. The reality is, if you do not keep writing and have something new, when you get "the call," an agent is going to know what else you've got and if you have nothing, that may not be what they're okay with hearing. After all, at the end of the day, publishing is a business, and they can't make money if they don't have a project to sell. Nor can you. So, although some days I just want to dive in and re-tweak just one more scene, or just query, or not write at all, I remind myself of the harsh reality that THIS book may or may not be the one, and I need to keep moving. I currently have two books I'm working on, and we'll see which one makes it to the finish line first.
IT'S IMPORTANT TO SURROUND YOURSELF WITH WRITERS I cannot stress enough the importance of having writer friends and surrounding yourself with them, whether in person at the local coffee shop to write together, at a conference, or online in forums, on blogs, or any other social media site. We are a strange breed, and can understand each other and it often helps to have that extra boost of support when we need it most. They are a wonderful resource to find out about upcoming events, promotion of your work when it's ready, information about agents, publishers, and the industry in general. And when you're talking about writing or sitting and actually doing it together, you're much more likely to feel inspired and keep on keeping on. Writing is a solitary business, and it's easy to let the self-doubt creep in, especially in an industry where things move at a snail's pace and you might not hear a peep for months.
WRITE WHAT YOU LOVE If you write what you love, chances are, it will show in your writing. There is something authentic and true that shines through when a writer is passionate about their subject matter. Although I enjoy reading a well-written paranormal now and then, I write (and love) contemporary romantic/humorous YA. I like characters I can relate to, situations that I may have been in or would love to be in, young romance that makes me swoon like I was sixteen years old all over again. For many teens, a good book is an escape, and if I can make someone laugh or look at their world in a different way, I have done all I set out to do as a writer. I know where my strengths are. That said, it's not that I don't advocate moving out of your comfort zone to challenge yourself by writing something that isn't your norm - I think that's a GREAT exercise to do - but write for YOU. Write what you love. Don't worry about getting agented and getting published for now, or what the latest trends are and how to meet them. Like fashion, everything comes around again in its own time, so write what moves you.
DON'T GIVE UP One of my most prized possessions is the signed title page from Laurie Halse Anderson's novel TWISTED. Laurie did a one-on-one critique for me at the SCBWI LA conference, and she told me she absolutely loved my book and I should have no problem selling it. She told me I'd nailed the voice and the writing was nearly flawless. I laughed and told her from her mouth to an agent's ears. She made me promise I would never give up, that I clearly had talent as a writer and must remember this is a process, and a long one at that. And she signed her book for me "To Robin: Who is not allowed to stop writing Love, Laurie". Every time I feel that niggling self-doubt filling up the silence and the dead space, every time I stare at that blinking cursor and wonder what the heck I'm going to write next, every time I stare at that inbox longingly in the hopes it will light up with great news, I think about that. It may well be one of the greatest gifts anyone has unknowingly given me in my lifetime, and it is truly then that I realize how subjective it all is and press on.

Me with Laurie Halse Anderson, amazing writer and fellow band Mom, who continues to inspire me daily.